Its Not That Straight As You Think It To Be.
When Kendrick Lamar released his sophomore album, To Pimp A Butterfly (2015), I was in the middle of teaching a unit on Toni Morrison’s novel, The Bluest Eye (1970). My freshmen students were grappling with some big ideas and some really complex language. Framing the unit as an “Anti-Oppression” study, we took special efforts to define and explore the kinds of institutional and internalized racism that manifest in the lives of Morrison’s African-American characters, particularly the 11-year-old Pecola Breedlove and her mother, Pauline. We posed questions about oppression and the media – and after looking at the Dick & Jane primers that serve as precursors to each chapter, considered the influence of a “master narrative” that always privileges whiteness.
Set in the 1940s, the Breedlove family lives in poverty. Their only escape is the silver screen, a place where they idolize the glamorous stars of the film industry. Given the historical context…
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First, I should note: I am not related to Jennifer Armstrong. But! I have followed her writing closely over the years — first during her years at Entertainment Weekly, and more recently as the author of books like Mary and Lou and Rhoda and Ted (Simon & Schuster), which offered a definitive history of the classic TV series. Her blog also happens to be a must-follow on WordPress.com: She gives glimpses into her current work (she’s doing a Seinfeld book next) and she’s refreshingly transparent about the business (and hard truths) of being a freelance writer in 2015. I spoke with her via email about the business of writing and tips for how she makes time for her own blog.
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